there is something so fluidly beautiful about Virgils movement from aghast to outraged as his arms Slide from horror-clutch to AkimbOHNOYOUDIDNT.
Anton’s little chin thing is funny like he is only working out the ramifications of his argument as he goes. Which falls in line with his initial poor argument for letting Lino come along. CARRY ON ANTON.
Haha, the virgil part was fun to do. I like doing acting like this when I can find the panel space for it.
And Anton is absolutely figuring it out as he goes along. He’s quite perceptive and intelligent when he’s not busy being traumatized.
Oh… Did he hit a nerve?
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